3:00 DIVERSE SOUNDS
Prepared by Rex Burgess
Cherubini, L. Symphony in D (1815). Tuscany O/Donato Renzetti.
Europa 350-221 29
Smetana, B. Piano trio in G minor, op 15 (1855/57). Florestan Trio.
Hyperion CDA67730 25
Respighi, O. Nevicata (1906); Nebbie (1906); Abbandono (1909); Venitelo a vedere (1915). Andrea Catzel, sop; Reinild Mees, pf.
Channel Classics CCS 11998 8
Chopin, F. Polonaise fantaisie in A flat, op 61. Geoffrey Tozer, pf.
McPherson Promotions MP001 13
Schoenberg, A. Transfigured night, op 4 (1899). Raphael Ensemble.
Hyperion CDA66425 30
Respighi, O. O falce di luna calante; Van li effluvi de le rose; Au milieu du jardin; Serenata indiana (1909). Leonardo de Lisi, ten; Reinild Mees, pf.
Channel Classics CCS 11998 10
Bruckner, A. Symphony no 6 in A (1879-81). Cleveland O/Christoph von Dohnányi.
Decca 436 153-2 55
Beethoven, L. Allegro molto, from Serenade in D, op 41. Emmanuel Pahud, fl; Eric Le Sage, pf.
naïve V4863 2
6:00 SUNDAY MORNING MUSIC
with Robert Small
9:00 JOURNEY FROM BAROQUE
A revolution in music
Presented by Heather Phillips
Hofmann, L. Cello concerto in D. Northern Sinfonia/Tim Hugh, vc & dir.
Naxos 8.553853 23
Mendelssohn, F. Piano trio no 1 in D minor, op 49 (1839). Macquarie Trio.
ABC 456 191-2 29
Mertz, J. Hungarian fantasy. Shin-ichi Fukuda, gui.
Denon CO-78950 6
Beethoven, L. Symphony no 9 in D minor, op 125, Choral (1817-23). Luba Orgonasova, sop; Anne Sofie von Otter, mezz; Anthony Rolfe Johnson, ten; Gilles Cachemaille, bass; Monteverdi Choir; O Révolutionnaire et Romantique/John Eliot Gardiner.
Archiv 439 900-2 1:00
11:00 THE MAGIC OF STAGE AND SCREEN
Rags to riches, part 2
Prepared by Adam Bowen
Herrmann, B. The devil and Daniel Webster (1941). London PO/Bernard Herrmann.
Unicorn-Kanchana UKCD2065 5
Doyle, P. Cinderella (2015). London SO/James Shearman.
Walt Disney 00050087312312 14
Simon, C. Working girl (1988). St Thomas Choir of Men and Boys.
Arista ARCO-8593 3
Nascimbene, M. The barefoot contessa (1954). O/Franco Ferrrara.
Legend CD11 3
Cook, R. Careful, he might hear you (1983). O/Ray Cook.
Syme Syme L38092 12
Herrmann, B. Marnie (1964). Royal Scottish NO/Joel McNeely.
Varese-Sarabande 302 066 094 2 16
12:00 SUNDAY SPECIAL
Prepared by Paolo Hooke
Shostakovich, D. Cello concerto no 1 in E flat, op 107 (1959). Mstislav Rostropovich, vc; Philadelphia O/Eugene Ormandy.
Sony Classical MHK 63327 27
Keyboard concertino in A minor, op 94 (1953). Genova and Dimitrov Piano Duo.
cpo 999 599-2 9
Symphony no 11 in G minor, op 103, The year 1905 (1957). London SO/Mstislav Rostropovich.
LSO Live LSO 0030 1:12
14:00 AT THE OPERA
Prepared by Colleen Chesterman
Rossini, G. Le Comte Ory. Opera in two acts. Libretto by Eugene Scribe and Charles Gaspard Delestre-Poirson. First performed Paris, 1825.
LE COMTE ORY: John Aler, ten
ISOLIER: Diana Montague, mezz
LA COMTESSE ADÈLE: Sumi Jo, sop
Opera Lyon Ch & O/John Eliot Gardiner.
Philips 475 7014 2:12
Adèle has been left behind when her brother and his men join the Crusades. Count Ory, in love with Adèle, disguises himself as a hermit in order to seduce the women left behind. Ory’s page Isolier, not recognising his master, confides that he is in love with Adèle and plans to enter the castle disguised as a pilgrim. Ory resolves to use the plan for his own ends. Adèle consults the ‘hermit’ who prescribes a love affair to cure her. She confesses her feelings for Isolier but Ory warns her not to get involved with the page. She invites the hermit to the castle, where he is recognised as Ory. Ory then returns with his men disguised as nuns and when the ‘pious sisters’ start carousing, Isolier realises who the ‘guests’ are, extinguishes the lamp in Adèle’s bedroom, and Ory, seeking Adèle, mistakenly makes his advances towards Isolier. When the latter reveals his identity, Ory is left with no choice but to make his escape as the Crusaders return.
16:30 AT THE END OF THE DAY
Prepared by Rex Burgess
Mahler, G. Suite from orchestral works by J.S. Bach (1910). Berlin RSO/Jésus López-Cobos.
Schwann 11637 24
Duparc, H. La vie antérieure; Extase; L’invitation au voyage (1878-84). Carol Farley, sop; Belgian RT SO/José Serebrier.
ASV DCA605 11
Schumann, R. Introduction and concert-allegro, op 134 (1853). Jan Lisiecki, pf; St Cecilia National Academy O/Antonio Pappano.
DG 479 5327 13
Norgård, P. Symphony no 6, At the end of the day (1998-99). Danish NSO/Thomas Dausgaard.
Chandos CHAN 9904 33
18:00 IN A SENTIMENTAL MOOD
with Maureen Meers
Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes
19:00 JAZZ IN CONCERT
Jazz at the Concergebouw, part 1
with Robert Vale
20:00 CLASSICAL JUKEBOX
Presented by Randolph Magri-Overend
21:00 SUNDAY NIGHT CONCERT
Prepared by Simone Vitiello
Tchaikovsky, P. Fantasy overture: Romeo and Juliet (1869/80). Philharmonia O/Riccardo Muti.
EMI 7 67742 2 19
Sibelius, J. Violin concerto in D minor, op 47 (1903). Adele Anthony, vn; Adelaide SO/Arvo Volmer.
ABC 476 3947 32
Lutoslawski, W. Symphony no 3 (1972-83). Los Angeles PO/Esa-Pekka Salonen.
Sony SK66280 31
22:30 ULTIMA THULE
Ambient and atmospheric music