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Wednesday 30 November - FM102.5

30/11/2016

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0:00 CONTEMPORARY COLLECTIVE
​

3:00 CLASSICAL TILL DAWN

6:00 FINE MUSIC BREAKFAST
including Arts Calendar at 7.30am

with Peter Kurti

9:00 DIVERSIONS IN FINE MUSIC
Composers of the 18th century

Prepared by Frank Morrison
Marais, M. La gamme en forme d'un petit opera (pub. 1723). Boston Museum Trio.
Centaur CRC 2129                                                             35
Rameau, J-P. Pygmalion, ballet (1748). Mieke van der Sluis, sop; François Vanhecke, sop; Rachel Yakar, sop; John Elwes, ten; Choirs of the Chapel Royal, Paris; La Petite Bande/Gustav Leonhardt.
Harmonia Mundi GD 77143                                              47

10:30 MORNING CONCERT
Prepared by Elaine Siversen
Chadwick, G. Aphrodite, symphonic poem (1912). Czech State PO/José Serebrier.
Reference RR-74                                                                28
Bruch, M. Double concerto in E minor, op 88 (c1912). Paul Meyer, cl; Gérard Caussé, va; Lyon Opera O/Kent Nagano.
Erato 2292-45483-2                                                           19
Grechaninov, A. Symphony no 2 in A, op 27, Pastoral (1909). Slovak State PO/Johannes Wildner.
Naxos 8.555410                                                                 35

12:00 JAZZ SKETCHES
with Robert Vale

13:00 YOUNG VIRTUOSI

14:00 IN CONVERSATION
with Michael Morton-Evans

15:00 SATIE EXPLORED
Part 5

Prepared by Michael Morton-Evans
Satie, E. La belle excentrique (1906-12); En habite de cheval (1911). Pascal Rogé, Jean-Philippe Collard, pf.
Decca 455 401-2                                                                15
Sonneries de la Rose-Croix (1892). Reinbert de Leeuw, pf.
Philips 454 048-2                                                               16
The Angora Ox (c1901; arr. Fritz). Jean-Yves Thibaudet, pf.
Decca 470 290-2                                                                  8
Cinéma (1924). Alexandre Tharaud, Éric le Sage, pf.
Harmonia Mundi HMC 902017.18                                      8
Cancan grand-mondain, from La belle excentrique (1920). David Levi, pf.                                                                                             2
Je te veux (1900). Christian-Pierre La Marca, vc.                 4
Patricia Petibon, sop; Susan Manoff, pf (2 above)
DG 479 2465

16:00 FINE MUSIC DRIVE
including Arts Calendar at 5.00pm

with Derek Parker

19:00 JAZZ STARS AND STRIPES
with Peter Mitchell

20:00 AT THE OPERA
Opera oscura: Shakespeare in Stuttgart

Zumsteeg, J. Die Geisterinsel. Opera in three acts. Libretto by Friedrich Wilhelm Gotter, after Shakespeare's The Tempest. First performed Stuttgart, 1798.
PROSPERO: Falko Hönisch, bar
MIRANDA: Christiane Karg, sop
ARIEL: Andrea Lauren Brown, sop
CALIBAN: Christian Feichtmair, bass
FERNANDO: Benjamin Hulett, ten
FABIO: Sophie Harmsen, mezz
STEFANO: Christian Immler, bar
ORINZIO: Patrick Pobeschin, bar
Stuttgart Chamber Choir; Stuttgart Hofkapelle/Frieder Bernius.
Carus 83.229                                                                  2:19
The magician Prospero and his daughter Miranda are banished to a magic island after he loses the duchy of Milan to his brother. Prospero uses his powers to liberate good spirits Maja and Ariel from the witch Sycorax, driving her into the sea and taking Ariel's son Caliban into his care. Nine years later, a ship passes by and Prospero orders Ariel to draw it to the island. It is wrecked during a storm. A survivor, Fernando, Prince of Naples, lands and meets Prospero, who realises who he is. Fernando meets Miranda and they fall in love. Three members of Fernando's retinue, Fabio, Stefano and Oronzo, come ashore. Caliban, appearing to them as the ruler of the island, encourages them to kill Prospero. Seeing Fernando as a threat, Caliban decides to disguise himself as Fernando and seduce Miranda but his plan is overheard by Prospero. Ariel leads the three shipwreck survivors to Prospero who turns them to stone but then releases them. Disappointed, Caliban throws himself into the sea. Ariel intercedes with Prospero for the lovers. A sailor arrives with news that the people of Milan have revolted and wish Prospero to return as their duke. He renounces his magic and they all leave the island.

22:30 THE PATH OF THE FUGUE
Prepared by Rex Burgess
Couperin, L. Fugue on Urbs beata Jerusalem (1657). Davitt Moroney, org.
Temperaments TEM 316001                                                5
Bach, J.S. Toccata and fugue in D minor, BWV565 (bef. 1708). Marie-Claire Alain, org.
Erato 2292-45976-2                                                             9
Hasse, J. Fugue and grave in G minor (c1735). Musica Antiqua Cologne/Reinhard Goebel.
Archiv 453 435-2                                                              10
Mozart, W. Adagio and fugue in C minor, K546 (1788). Talich Quartet.
Calliope CAL 3244.5                                                           7
Beethoven, L. Grosse fugue, op 134 (1827). Paolo Dirani, Curlo Argelli, pf.
Fonè 93 F 26                                                                      18
Franck, C. Prelude, fugue and variations, op 18 (1862). Amadeus Guitar Duo.
NAXOS 8.573440                                                               9
Respighi, O. Prelude, chorale and fugue (1901). BBC PO/Gianandrea Noseda.
Chandos CHAN 10388                                                      17
Gheys, M. van den Morreau fugué. Aimé Lombaert, town carillioner.
René Gally 88.904                                                               4
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