0:00 CONTEMPORARY COLLECTIVE
3:00 CLASSICAL TILL DAWN
MILLENIUM OF THE MASS
Josquin Desprez. Proch dolor (1519). Metamorphoses Ensemble, Paris/Maurice Bourbon.
Arion ARN 68043 4
Senfl, L. Ich stünd an einem Morgen (c1523). Chiaroscuro; His Majesties Sagbutts and Cornetts/Nigel Rogers.
Nuova Era 6741 2
Josquin Desprez. Psalm: Domine, ne in furore tuo orgnas me. Metamorphoses Ensemble, Paris/Maurice Bourbon.
Arion ARN 68043 9
Isaac, H. Ich stünd an einem Morgen. His Majesties Sagbutts and Cornetts.
Nuova Era 6741 1
Josquin Desprez. Deploration de la mort de Jehan Ockeghem: Nymphes des bois (bef. 1508). Metamorphoses Ensemble, Paris/Maurice Bourbon.
Arion ARN 68043 5
Dufay, G. Se la face ay pale; Missa se la face ay pale. Chiaroscuro/Nigel Rogers.
Nuova Era 6741 32
A NIGHT AT THE TABLE
Mozart, W. Serenade no 13 in G, K525, Eine kleine Nachtmusik (1787). 20
Telemann, G. Suite in E minor; Conclusion in E minor, from Musique de table (1732). 33
Tasmanian Symphony Chamber Players/Geoffrey Lancaster (2 above)
ABC 434 899-2
MUSIC FOR THE GUITAR:
Paganini, N. Grande sonata (1805). Emanuele Segre, gui.
Claves CD 50-9303 16
Quartet no 7 in E (1818-20). Anthea Gifford, gui; Mozart String Trio.
Denon CO-77069 25
Vivaldi, A. Lute concerto in D (arr. Koch). Gareth Koch, gui; Guillermo Buchle, vnr; Willem de Swardt, vn; Herwig Tachezi, vc; Timothy Walker-Brown, hpd.
Gracia 10692 12
Bach, J.S. Gavotte en rondeau, from Lute suite in E, BWV1006a (transcr. Williams). John Williams, gui.
Sony SBK 62973 3
6:00 FINE MUSIC BREAKFAST
including Arts Calendar at 7.30am
with Peter Kurti
9:00 DIVERSIONS IN FINE MUSIC
Composers of the 18th century
Prepared by Jennifer Foong
Rameau, J-P. Cantata: Le bergère fidèle (1728). Véronique Gens, sop; Les Musiciens du Louvre/Marc Minkowski.
Archiv 449 211-2 15
Devienne, F. Sonata in G minor, op 24 no 5 (c1785). Frances Eustace, bn; Jennifer Ward Clarke, vc; Paul Nicholson, fp.
Amon Ra SAR 35 9
Mondonville, J-J. de Regna terrae. Gillian Fisher, sop; London Baroque/Edward Higginbottom.
Hyperion CDA66269 6
Blavet, M. Sonata in D minor, op 2 no 2, La vibray (1750). Rachel Brown, fl; Mark Caudle, bass viol; James Johnstone, hpd.
Chandos CHAN 0544 11
Dauvergne, A. Margo morbleu est par trop joyeuse; Troquons, troquons, from Les troqueurs (1753). Nicolas Rivenq, bar; Cappella Coloniensis/William Christie.
Harmonia Mundi HMX 2908150.52 6
Hotteterre, J-M. Suite in E minor. Frans Brüggen, rec; Wieland Kuijken, bass viol; Gustav Leonhardt, hpd.
LP RCA RL 30425 17
Leclair, J-M. Il me fuit, hélas, from Scylla et Glaucus. Rachel Yakar, sop; English Baroque Soloists/John Eliot Gardiner.
Erato 4509-98524-2 4
Garnier, J-F. Oboe concerto (1788). Claude Villevieille, ob; Talich CO/Jan Talich.
Koch 3-1475-2 8
10:30 CONCERT HALL
Prepared by Michael Field
Dvorák, A. Symphonic poem: The wood dove, op 110 (1896). Scottish NO/Neeme Järvi.
Chandos CHAN 9666 20
Spohr, L. Clarinet concerto no 2 in E flat, op 57 (1810). Jon Manasse, cl; Seattle SO/Gerard Schwarz.
Harmonia Mundi HMU 907516 26
Gade, N. Symphony no 1 in C minor, op 5 (1840-42). Danish National RSO/Dmitri Kitaienko.
Chandos CHAN 9422 36
12:00 JAZZ SKETCHES
with Robert Vale
13:00 CHAMBER ORCHESTRA
Prepared by Brian Drummond
Philidor, F-A. Overture to Tom Jones (1765). Prague CO/Christian Benda.
Naxos 8.557593/94 8
Goodall, H. And the bridge is love (2008). English CO/Julian Lloyd Webber.
Naxos 8.573250 12
Schubert, F. Overture to The magic harp, from incidental music to Rosamunde, D797 (1823). CO of Europe/Claudio Abbado.
DG 431 655-2 10
Haydn, J. Symphony in C, Hob.I:7, Afternoon (1761). Prague CO/Bernhard Klee.
DG 469 551-2 23
14:00 IN CONVERSATION
with Michael Morton-Evans
15:00 SAINT-SAËNS EXPLORED
Part 3
Prepared by Michael Morton-Evans
Saint-Saëns, C. Overture to La Princesse jaune, op 30 (1871). Maria Costanza Nocentini, sop; Carlo Allemano, ten; Cantemus; Swiss Italian O/Francis Travis.
Chandos CHAN 9837 6
Danse macabre, op 40 (1874). Gil Shaham, vn; Jonathan Feldman, pf.
DG 463 483-2 7
Le Rouet d’Omphale, op 31 (1872). Paris Conservatoire O/Jean Martinon.
Decca 478 2826 8
Allegro appassionato, op 43 (1875). Mischa Maisky, vc; Daria Hovora, pf.
DG 439 863-2 4
Symphony no 2 in A minor, op 55, mvt 4 (1859). Ulster O/Yan Pascal Tortelier.
Chandos CHAN 8822 6
Variations on a theme from Beethoven, op 35 (1874). Pamela Page, pf; Max Olding, pf.
Fine Music Concert Recording 19
Pastorale (1855). Victoria de los Angeles, sop; Elisabeth Schwarzkopf, sop; Dietrich Fischer-Dieskau, bar; Gerald Moore, pf.
EMI CMS 5 65061 2 2
16:00 FINE MUSIC DRIVE
including Arts Calendar at 5.00pm
with Tom Forrester-Paton
19:00 JAZZ STARS AND STRIPES
with Peter Mitchell
20:00 AT THE OPERA
Prepared by Elaine Siversen
Dargomyzhsky, A. The stone guest. Opera in three acts (compl. Cui; orch. Rimsky-Korsakov). Libretto by Alexander Pushkin. First performed St Petersburg, 1872.
DON JUAN: Vladimir Atlantov, ten
LEPORELLO: Alexander Vedernikov, bass
DONNA ANNA: Tamara Milashkina, sop
LAURA: Tamara Sinyavskaya, mezz
DON CARLOS: Vladimir Valaitis, bar
STATUE OF COMMENDATORE: Vladimir Filippov, bass
Bolshoi Theatre Ch & O/Mark Ermler.
LP Melodiya/EMI SLS 5196 1:23
Pushkin’s 1830 version of the Don Juan story differs from the better-known libretto of Mozart’s opera. Don Juan has killed the Commendatore who is Donna Anna’s husband, not her father, while Don Juan’s previous conquest is not Elvira, but Laura, a young actress and Don Carlos is Laura’s lover. At the opera’s opening, Don Juan returns from exile seeking Laura who is with Don Carlos whose brother has been killed by Don Juan. The men duel and Don Carlos is slain. Don Juan, now in hiding and disguised as a friar, finds Donna Anna at her husband’s tomb and, with honeyed words, persuades her to let him come to her house the following night. Leporello asks how the Commendatore would react so Don Juan instructs him to invite the statue to keep guard at the widow’s door while she is being seduced. The statue nods its head in acceptance. Alone with Donna Anna, the ‘friar’ reveals his true identity as Don Juan and swears that he has never truly loved before. A knocking is heard and the statue says, ‘Behold me, your guest of stone. Give me your hand.’ Don Juan yields and is carried off to final retribution.
Involuntarily I am drawn, from Rusalka (1856). Sergei Larin, ten; Philharmonia O/Gennady Rozhdestvensky.
Chandos CHAN 9603 7
Song of the miller; Mad scene and death of the miller, from Rusalka (1856). Georgi Pozemkovsky, ten; Fedor Chaliapin, bass; London SO/Max Steinmann.
EMI CDH 7 61009-2 13
22:00 CONDUCTORS OLD AND NEW
Herbert Blomstedt
Prepared by Denis Patterson
Hindemith, P. Concert music for strings and brass, op 50 (1930). 17
Sibelius, J. Symphony no 7 in C, op 105 (1926). 22
San Francisco SO (2 above)
Decca 478 6787
Mozart, W. Oboe concerto in C, K314 (1778). Kurt Mahn, ob; Staatskapelle Dresden.
Berlin 0012852BC 21
Brahms, J. Alto rhapsody, op 53 (1869). Jard van Nes, cont; San Francisco Symphony Ch & O.
Decca 478 6787 13
Nielsen, C. Symphony no 4, op 29, The inextinguishable (1914-16). Danish RSO.
EMI 5 74188 2 34
Herbert Blomstedt, cond ( all above)
THURSDAY 16 FEBRUARY
0:00 CONTEMPORARY COLLECTIVE
3:00 CLASSICAL TILL DAWN
CHAMBER MASTERWORKS
Prepared by Rex Burgess
Giuliani, M. Grand duo concertant, op 85 (pub. 1817). Nora Shulman, fl; Norbert Kraft, gui.
Naxos 8.55456 21
Brahms, J. Trio in E flat, op 40 (1865). Hector McDonald, hn; John Harding, vn; Ian Munro, pf.
Tall Poppies TP114 30
Shostakovich, D. String quartet no 5 in B flat, op 92 (1952). Fitzwilliam Quartet.
Decca 433 078-2 31
HIS 'MOST SKILLED ARTISTRY'
Bach, J.S. Cantata BWV137: Lobe den Herrn (c1725). Marjon Strijk, sop; Sytse Buwalda, cont; Knut Schoch, ten; Bas Ramselaar, bass; Netherlands Bach Collegium/Pieter Jan Leusink.
Brilliant 93102/95 15
Toccata in G, BWV916 (bef. 1713). Ivo Janssen, pf.
Void 9802 7
A musical offering, BWV1079 (1747). Musica Antiqua Köln/Reinhard Goebel.
Archiv 433 643-2 48
Preludes and fugues: in B, BWV868 (1722); in B, BWV892 (1739-43). Leon Berben, hpd.
Brilliant 93102/27 9
Biber, H. Part of Mystery sonata XV, The crowning of the blessed Virgin Mary. Susan Lautenbacher, vn; Johannes Koch, va da gamba; Rudolf Ewerhart, org.
Jagel 25407-82 7
3:00 CLASSICAL TILL DAWN
MILLENIUM OF THE MASS
Josquin Desprez. Proch dolor (1519). Metamorphoses Ensemble, Paris/Maurice Bourbon.
Arion ARN 68043 4
Senfl, L. Ich stünd an einem Morgen (c1523). Chiaroscuro; His Majesties Sagbutts and Cornetts/Nigel Rogers.
Nuova Era 6741 2
Josquin Desprez. Psalm: Domine, ne in furore tuo orgnas me. Metamorphoses Ensemble, Paris/Maurice Bourbon.
Arion ARN 68043 9
Isaac, H. Ich stünd an einem Morgen. His Majesties Sagbutts and Cornetts.
Nuova Era 6741 1
Josquin Desprez. Deploration de la mort de Jehan Ockeghem: Nymphes des bois (bef. 1508). Metamorphoses Ensemble, Paris/Maurice Bourbon.
Arion ARN 68043 5
Dufay, G. Se la face ay pale; Missa se la face ay pale. Chiaroscuro/Nigel Rogers.
Nuova Era 6741 32
A NIGHT AT THE TABLE
Mozart, W. Serenade no 13 in G, K525, Eine kleine Nachtmusik (1787). 20
Telemann, G. Suite in E minor; Conclusion in E minor, from Musique de table (1732). 33
Tasmanian Symphony Chamber Players/Geoffrey Lancaster (2 above)
ABC 434 899-2
MUSIC FOR THE GUITAR:
Paganini, N. Grande sonata (1805). Emanuele Segre, gui.
Claves CD 50-9303 16
Quartet no 7 in E (1818-20). Anthea Gifford, gui; Mozart String Trio.
Denon CO-77069 25
Vivaldi, A. Lute concerto in D (arr. Koch). Gareth Koch, gui; Guillermo Buchle, vnr; Willem de Swardt, vn; Herwig Tachezi, vc; Timothy Walker-Brown, hpd.
Gracia 10692 12
Bach, J.S. Gavotte en rondeau, from Lute suite in E, BWV1006a (transcr. Williams). John Williams, gui.
Sony SBK 62973 3
6:00 FINE MUSIC BREAKFAST
including Arts Calendar at 7.30am
with Peter Kurti
9:00 DIVERSIONS IN FINE MUSIC
Composers of the 18th century
Prepared by Jennifer Foong
Rameau, J-P. Cantata: Le bergère fidèle (1728). Véronique Gens, sop; Les Musiciens du Louvre/Marc Minkowski.
Archiv 449 211-2 15
Devienne, F. Sonata in G minor, op 24 no 5 (c1785). Frances Eustace, bn; Jennifer Ward Clarke, vc; Paul Nicholson, fp.
Amon Ra SAR 35 9
Mondonville, J-J. de Regna terrae. Gillian Fisher, sop; London Baroque/Edward Higginbottom.
Hyperion CDA66269 6
Blavet, M. Sonata in D minor, op 2 no 2, La vibray (1750). Rachel Brown, fl; Mark Caudle, bass viol; James Johnstone, hpd.
Chandos CHAN 0544 11
Dauvergne, A. Margo morbleu est par trop joyeuse; Troquons, troquons, from Les troqueurs (1753). Nicolas Rivenq, bar; Cappella Coloniensis/William Christie.
Harmonia Mundi HMX 2908150.52 6
Hotteterre, J-M. Suite in E minor. Frans Brüggen, rec; Wieland Kuijken, bass viol; Gustav Leonhardt, hpd.
LP RCA RL 30425 17
Leclair, J-M. Il me fuit, hélas, from Scylla et Glaucus. Rachel Yakar, sop; English Baroque Soloists/John Eliot Gardiner.
Erato 4509-98524-2 4
Garnier, J-F. Oboe concerto (1788). Claude Villevieille, ob; Talich CO/Jan Talich.
Koch 3-1475-2 8
10:30 CONCERT HALL
Prepared by Michael Field
Dvorák, A. Symphonic poem: The wood dove, op 110 (1896). Scottish NO/Neeme Järvi.
Chandos CHAN 9666 20
Spohr, L. Clarinet concerto no 2 in E flat, op 57 (1810). Jon Manasse, cl; Seattle SO/Gerard Schwarz.
Harmonia Mundi HMU 907516 26
Gade, N. Symphony no 1 in C minor, op 5 (1840-42). Danish National RSO/Dmitri Kitaienko.
Chandos CHAN 9422 36
12:00 JAZZ SKETCHES
with Robert Vale
13:00 CHAMBER ORCHESTRA
Prepared by Brian Drummond
Philidor, F-A. Overture to Tom Jones (1765). Prague CO/Christian Benda.
Naxos 8.557593/94 8
Goodall, H. And the bridge is love (2008). English CO/Julian Lloyd Webber.
Naxos 8.573250 12
Schubert, F. Overture to The magic harp, from incidental music to Rosamunde, D797 (1823). CO of Europe/Claudio Abbado.
DG 431 655-2 10
Haydn, J. Symphony in C, Hob.I:7, Afternoon (1761). Prague CO/Bernhard Klee.
DG 469 551-2 23
14:00 IN CONVERSATION
with Michael Morton-Evans
15:00 SAINT-SAËNS EXPLORED
Part 3
Prepared by Michael Morton-Evans
Saint-Saëns, C. Overture to La Princesse jaune, op 30 (1871). Maria Costanza Nocentini, sop; Carlo Allemano, ten; Cantemus; Swiss Italian O/Francis Travis.
Chandos CHAN 9837 6
Danse macabre, op 40 (1874). Gil Shaham, vn; Jonathan Feldman, pf.
DG 463 483-2 7
Le Rouet d’Omphale, op 31 (1872). Paris Conservatoire O/Jean Martinon.
Decca 478 2826 8
Allegro appassionato, op 43 (1875). Mischa Maisky, vc; Daria Hovora, pf.
DG 439 863-2 4
Symphony no 2 in A minor, op 55, mvt 4 (1859). Ulster O/Yan Pascal Tortelier.
Chandos CHAN 8822 6
Variations on a theme from Beethoven, op 35 (1874). Pamela Page, pf; Max Olding, pf.
Fine Music Concert Recording 19
Pastorale (1855). Victoria de los Angeles, sop; Elisabeth Schwarzkopf, sop; Dietrich Fischer-Dieskau, bar; Gerald Moore, pf.
EMI CMS 5 65061 2 2
16:00 FINE MUSIC DRIVE
including Arts Calendar at 5.00pm
with Tom Forrester-Paton
19:00 JAZZ STARS AND STRIPES
with Peter Mitchell
20:00 AT THE OPERA
Prepared by Elaine Siversen
Dargomyzhsky, A. The stone guest. Opera in three acts (compl. Cui; orch. Rimsky-Korsakov). Libretto by Alexander Pushkin. First performed St Petersburg, 1872.
DON JUAN: Vladimir Atlantov, ten
LEPORELLO: Alexander Vedernikov, bass
DONNA ANNA: Tamara Milashkina, sop
LAURA: Tamara Sinyavskaya, mezz
DON CARLOS: Vladimir Valaitis, bar
STATUE OF COMMENDATORE: Vladimir Filippov, bass
Bolshoi Theatre Ch & O/Mark Ermler.
LP Melodiya/EMI SLS 5196 1:23
Pushkin’s 1830 version of the Don Juan story differs from the better-known libretto of Mozart’s opera. Don Juan has killed the Commendatore who is Donna Anna’s husband, not her father, while Don Juan’s previous conquest is not Elvira, but Laura, a young actress and Don Carlos is Laura’s lover. At the opera’s opening, Don Juan returns from exile seeking Laura who is with Don Carlos whose brother has been killed by Don Juan. The men duel and Don Carlos is slain. Don Juan, now in hiding and disguised as a friar, finds Donna Anna at her husband’s tomb and, with honeyed words, persuades her to let him come to her house the following night. Leporello asks how the Commendatore would react so Don Juan instructs him to invite the statue to keep guard at the widow’s door while she is being seduced. The statue nods its head in acceptance. Alone with Donna Anna, the ‘friar’ reveals his true identity as Don Juan and swears that he has never truly loved before. A knocking is heard and the statue says, ‘Behold me, your guest of stone. Give me your hand.’ Don Juan yields and is carried off to final retribution.
Involuntarily I am drawn, from Rusalka (1856). Sergei Larin, ten; Philharmonia O/Gennady Rozhdestvensky.
Chandos CHAN 9603 7
Song of the miller; Mad scene and death of the miller, from Rusalka (1856). Georgi Pozemkovsky, ten; Fedor Chaliapin, bass; London SO/Max Steinmann.
EMI CDH 7 61009-2 13
22:00 CONDUCTORS OLD AND NEW
Herbert Blomstedt
Prepared by Denis Patterson
Hindemith, P. Concert music for strings and brass, op 50 (1930). 17
Sibelius, J. Symphony no 7 in C, op 105 (1926). 22
San Francisco SO (2 above)
Decca 478 6787
Mozart, W. Oboe concerto in C, K314 (1778). Kurt Mahn, ob; Staatskapelle Dresden.
Berlin 0012852BC 21
Brahms, J. Alto rhapsody, op 53 (1869). Jard van Nes, cont; San Francisco Symphony Ch & O.
Decca 478 6787 13
Nielsen, C. Symphony no 4, op 29, The inextinguishable (1914-16). Danish RSO.
EMI 5 74188 2 34
Herbert Blomstedt, cond ( all above)
THURSDAY 16 FEBRUARY
0:00 CONTEMPORARY COLLECTIVE
3:00 CLASSICAL TILL DAWN
CHAMBER MASTERWORKS
Prepared by Rex Burgess
Giuliani, M. Grand duo concertant, op 85 (pub. 1817). Nora Shulman, fl; Norbert Kraft, gui.
Naxos 8.55456 21
Brahms, J. Trio in E flat, op 40 (1865). Hector McDonald, hn; John Harding, vn; Ian Munro, pf.
Tall Poppies TP114 30
Shostakovich, D. String quartet no 5 in B flat, op 92 (1952). Fitzwilliam Quartet.
Decca 433 078-2 31
HIS 'MOST SKILLED ARTISTRY'
Bach, J.S. Cantata BWV137: Lobe den Herrn (c1725). Marjon Strijk, sop; Sytse Buwalda, cont; Knut Schoch, ten; Bas Ramselaar, bass; Netherlands Bach Collegium/Pieter Jan Leusink.
Brilliant 93102/95 15
Toccata in G, BWV916 (bef. 1713). Ivo Janssen, pf.
Void 9802 7
A musical offering, BWV1079 (1747). Musica Antiqua Köln/Reinhard Goebel.
Archiv 433 643-2 48
Preludes and fugues: in B, BWV868 (1722); in B, BWV892 (1739-43). Leon Berben, hpd.
Brilliant 93102/27 9
Biber, H. Part of Mystery sonata XV, The crowning of the blessed Virgin Mary. Susan Lautenbacher, vn; Johannes Koch, va da gamba; Rudolf Ewerhart, org.
Jagel 25407-82 7
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